I have received questions about my settings for this type of photograph. The first photo, at top, was photographed last night, Sunday October 18, at 6:06pm. It is Aer Lingus flight EIN 139, a Dublin to Boston Airbus A330. I used a Canon camera and a 100-400mm lens at 176mm. Speed was ISO/ASA 1000. Shutter speed 1/400th of a second at F5 aperture.
I set the camera fire 5 bursts on the same frame. A 5 multiple exposure photo, with each snap at 1.2 second intervals. A tripod is a must as the city skyline will actually be photographed 5 separate, and thus has to be lined up the same each time.
The bottom photo, a 6 image multiple exposure, was snapped on Saturday night at 5:49pm. ISO/ASA 320 with a lens of 200mm. Shutter speed of 1/320th of a second at F5, with a 1.5 second interval between snaps. These photo are a lot of fun, especially when the wind kicked up and the jet lands somewhat sideways.
I would like to thank all my friends and supporters, as I announce my new photo purchasing site where photos for personal use (wall art), or for commercial use, can be purchased. This is my non-news photo collection of Aviation photography, Boston scenics, including sunsets, moons, sunrise, coastal, etc.
As a Plymouth County sheriff’s vehicle pulled into the bowels of the Moakley Federal Courthouse on June 5, a shadowy figure took form for a split second as the dark, heavily tinted windows that kept him from view were suddenly bombarded with bright, early morning backlight. The backlit shaft of bright light was emanating from the waters of Boston Harbor. Using a Canon 800mm lens, I was able to fire off 4 photos in less than a second, then he was gone, disappearing into the blackness of the window tint. When I shot this I did not think, as I do now, that this would be the last shot I got of Mr. Bulger. Law enforcement personnel have taken steps to insure that he will not be visible again. The first, and most important step taken, is to drive him into a garage door closer to the water and more distance from the photographers, insuring that the shaft of backlight, that I mention above, does not line up with Bulger and the car windows. The second step is that the current vehicle they are using, for Whitey’s transport, has darker window tint. Please see my photo below and catch bostonherald.com’s continuous coverage of this fascinating trial.
Arthur Pollock, an award winning local news photographer, bursts onto the art book stage with his first book, aptly titled, “Arthur Pollock.” This collection of moments, published by Unpiano Books, takes us from the author’s beginnings in photography as a college student in Wisconsin, through his time with the Lowell Sun and ending with his decades at the Boston Herald. The book’s editor, Jesse Pollock, is the proud son of the author. Jesse says of the initial work going through the countless amounts of photos: ““I went through a thousand photos and 900 made my jaw drop. That’s just the kind of photographer he is.. ..everything is put together for a reason, whether thematically or aesthetically. I tried to go chronologically and snake my way through his career from the ’60s to the ’80s. Within that timeline, I tried to go with other sub-themes like crime or love.
I chose a lot of the photos because they’re continuously relevant. They’re still fresh in a way that doesn’t make them seem like they’re from ’60s. You could run a lot of them with no captions, and people would think they were taken recently based on the way they’re shot. Not all of his work is like that, but I curated it in a certain way and chose photos for that reason.
Photojournalists don’t really like to talk about their work as art because it’s more of a group dynamic; you’re on a team. It’s blue collar, like a firefighter. And you don’t say, ‘I’m the best firefighter.’ It’s hard for him to put his work out there like that. He doesn’t think of it as art. He’ll think of it as a photojournalism exhibition. The nearest art category you could throw it into is street photography, but I don’t think of it like that. It has a hard, journalistic viewpoint at heart.”
The book is available at unpiano.com
Top photos show the author then and now. Other photos show Jesse and Arthur and scenes from Agawam, Mashpee and Boston,MA